The Muslim quest between integration and provocation in contemporary Canadian writing. A close analysis of Rawi Hage's "Cockroach"
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Sprache:Englisch
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Erscheinungsdatum
16.03.2017
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GRINSeitenzahl
82 (Printausgabe)
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1109 KB
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1. Auflage
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Englisch
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9783668417618
Document from the year 2017 in the subject Didactics for the subject English - Literature, Works, Comenius University in Bratislava, language: English, abstract: This essay is about Rawi Hage's novel "Cockroach", which at first sight is, according to the Daily Telegraph, 'A tale of murder, intrigue and sex from the exuberantly talented Hage'. However, Cockroach embodies more than this (negative) one-sighted approach. It is also a novel of migration, exile, diaspora and being unwanted because of being a foreigner of migrant background and Hage - like Rushdie - explores the hinterland between fantasy, trauma and realism.
The unnamed narrator of the novel takes the reader by the hand and exposes this immigrant life in a chilly surrounding. Chilly because people are cold and chilly because the climate is cold, too. The fact that Hage as a Lebanese born person uses a Canadian setting as the place of action already hints at two conditions of contemporary Muslim writing in general. This refers to the autobiographical basis which many novels have and the use of the city as the background of the narration, two presuppositions of Muslim writing since Rushdie and Kureishi.
Hage, in Cockroach, explores Montreal and presents it as an alien and hostile topography of menial jobs, hidden or open xenophobia, a mix of foreigners, insect behaviours and class hostilities. This narrator, an exotic foreigner himself, despises the world around him and takes the reader through a nightmare of Canadian reality on the basis of his violent childhood, the death of his sister, his exile situation and the helplessness of Canada which fails in the person of a court-mandated psychiatrist. His traumatic past and his inability as a man to protect the female members of his family are also symbols for a failed integration and the personal crisis of the narrator who seeks to find identity and a life at the border of physical and psychological death.
The unnamed narrator of the novel takes the reader by the hand and exposes this immigrant life in a chilly surrounding. Chilly because people are cold and chilly because the climate is cold, too. The fact that Hage as a Lebanese born person uses a Canadian setting as the place of action already hints at two conditions of contemporary Muslim writing in general. This refers to the autobiographical basis which many novels have and the use of the city as the background of the narration, two presuppositions of Muslim writing since Rushdie and Kureishi.
Hage, in Cockroach, explores Montreal and presents it as an alien and hostile topography of menial jobs, hidden or open xenophobia, a mix of foreigners, insect behaviours and class hostilities. This narrator, an exotic foreigner himself, despises the world around him and takes the reader through a nightmare of Canadian reality on the basis of his violent childhood, the death of his sister, his exile situation and the helplessness of Canada which fails in the person of a court-mandated psychiatrist. His traumatic past and his inability as a man to protect the female members of his family are also symbols for a failed integration and the personal crisis of the narrator who seeks to find identity and a life at the border of physical and psychological death.
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