Montgomery, M: Europe's Languages on England's Stages, 1590-
-
- Englisch ausgewählt
Fr. 88.90
inkl. gesetzl. MwSt.,
Beschreibung
Produktdetails
Einband
Taschenbuch
Erscheinungsdatum
22.05.2017
Verlag
Taylor & FrancisSeitenzahl
162
Maße (L/B/H)
15.8/23.3/1.2 cm
Gewicht
310 g
Sprache
Englisch
ISBN
978-1-138-11016-8
'Within a focused thirty-year period, Montgomery ambitiously attends to both the theatrical significance of spoken languages for early audiences, and the implications for an understanding of London’s conception of the ’foreign’. Across chapters predominantly dealing with French, Dutch, Spanish, and Latin, she teases out the complexities of the meanings presented by the staging of these languages, which go far beyond markers of national identity... The judicious attention to theatrical, historical, and political contexts reinforces prior work on early modern soundscapes, making a cogent case for attention not only to what is said, but how it sounds to early modern and modern ears.' Comparative Drama '... attention to detail is applied selectively and strategically so that the flow of the discussion never becomes dull, enabling the book to find something new to say even about well-tilled ground... Europe’s Languages on England’s Stages aims to appeal primarily to those working on Elizabethan and Jacobean drama, and specifically on its fascinating cosmopolitan filiations... the imaginative organization of the book, based on a combination of specific languages and plays, makes the individual chapters suitable as reading for both postgraduate and advanced undergraduate students...' English Text Construction 'This ambitious book caters to a wide range of interests, cultural, literary, and linguistic as well as theatrical.' Renaissance Quarterly 'Montgomery’s book offers a sustained argument for the theatrical representation of linguistic difference as the vehicle for exploring possibilities for cultural translation.' Studies in English Literature 1500-1900 ’This book makes a welcome contribution to the field and is a must-read for anyone interested in the representation of cultural identity in early modern England, as well as students of and specialists in theatricality and performativity.’ Journal of the Northern Renaissance
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