Imagined Cosmopolis Internationalism and Cultural Exchange, 1870s–1920s

CONTENTS: Grace Brockington/Sarah Victoria Turner: Introduction: Art and Culture Beyond the Nation – Daniel Laqua: Introduction: Cosmopolitanism and the Individual – Jessica Wardhaugh: The Fabulous Destiny of Saint-Patrice: Royalist Cosmopolitanism and Republican France – Sharon Hecker: Navigating International Networks for Modern Sculpture at the Fin de Siècle: The Case of Medardo Rosso – Dina Gusejnova: A Prussian Diplomat and Cosmopolitan: Count Harry Kessler’s Cultural Politics during and after the First World War – Marina Dmitrieva: ‘Distance Passes through Me’: Herwarth Walden, Modernism and the Cosmopolitan Utopia – Charlotte Ashby: Introduction: Cultural Networks and Connections – Christopher Reed: Boston as Museum: Cosmopolitan Constructions of Japan – Vibeke Röstorp: Third Culture Artists: Scandinavians in Paris – Juliet Simpson: Art as Cosmopoetics: Ferdinand Hodler, Mallarmé and
La Revue de Geneve
– Rosie Ibbotson: Synoptic Outlooks: Cosmopolitan Vision and the Arts and Crafts Movement – Sarah Victoria Turner: Introduction: Real Places and Imagined Journeys – Hervé Inglebert and Sandra Kemp: Universal Histories, Universal Exhibitions and Universal Museums in Europe: Henry Cole and the Legacies of the South Kensington Museum – Marta Filipová: Regional Modernity and the Global Exhibition Network: Prague’s Exhibitions of 1891 and 1895 – Wouter Van Acker: World Capital Cities in the Belle Époque: Claiming Centrality through Cosmopolitanism – Charlotte Ashby: European Design Journals as Transnational Spaces – Grace Brockington: Introduction: The Expanded Universal Language Movement – Leonard Bell: Translations: Maori Art Nationalized in Settler-Colonial New Zealand and Internationalized in European Art and Theory – Helena Čapková: The Hawk Princess at the Hawk’s Well: Neo-Noh and the Idea of a Universal Japan – Katja Krebs: ‘So Utterly Foreign to the Spirit of Modern English Drama’: Internationalism and Theatrical Relations in London in the Early Twentieth Century – Sophie Hatchwell: ‘Acquiring a Foreign Accent’: Painting as Cosmopolitan Language in Edwardian Art Writing