Produktbild: The Flamenco Effect
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The Flamenco Effect Authenticity, Community and Tradition in the South of Spain

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Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

30.01.2027

Verlag

Taylor and Francis

Seitenzahl

272

Maße (L/B)

23.4/15.6 cm

Sprache

Englisch

ISBN

978-1-138-57200-3

Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

30.01.2027

Verlag

Taylor and Francis

Seitenzahl

272

Maße (L/B)

23.4/15.6 cm

Sprache

Englisch

ISBN

978-1-138-57200-3

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: gpsr@libri.de

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  • Produktbild: The Flamenco Effect
  • List of Examples

    List of Tables

    List of Figures

    Acknowledgements

    Preface: From the House of the Dead Letter

    Introduction: Abjected Flamenco

    What This Book is Not

    What This Book Is

    The Palos: Flamenco as a System of Microforms

    Approaching Academy-Mediated Flamenco

    Chapter 1: The Music (or el cante)

    Introduction: Song Work

    Toward a Theory of the Cante

    Components of the Cante

    Introducing the Palos

    Cantes a voz sola

    Cantes libres con guitarra

    Cantes de Levante

    Grupo de los fandangos

    Cantes métricos con guitarra

    The Tangos

    The Palo System Elaborated

    Listening to the Palos: Three Case Studies

    The Musical Design of the Cante

    Chapter 2: Flamenco, Gender, Sexuality and "Tradition"

    Prologue

    Flamenco's Theory of Identity

    Registers of Identity in Flamenco

    Racialised Flamenco

    Flamenco, "Tradition" and Sexuality

    How Flamenco Negotiates Gender and "Tradition"

    Flamenco Masculinities

    Flamenco Femininities

    "Tradition" and The Dream of Plenitude: Estrella Morente's Mujeres (2006)

    Flamenco and Sexuality: A first intermedio

    Flamenco's Queernesses, Flamenco's Utopias

    Flamenco's Queer Modernities

    Flamenco Urbanities

    Staging Flamenco, Staging Sexuality

    Chapter 3: Toward a Media Archaeology of Flamenco (I): Flamenco in/as Visual Culture

    On Visuality in Flamenco Culture

    Flamenco in Nineteenth-Century Photography

    Photography in the "Golden Age" of Flamenco

    Interrupting the Avant-Garde: Man Ray's Flamenco Photographs from the 1930s

    Dmitri Kessel's Images of Sacromonte for LIFE Magazine, 1949.

    Photography and the Witness: Flamenco and its Media Regimes

    What Flamenco Can Tell Us about the Documentary Film

    Flamenco, Realism and Documentary Film: Theoretical Starting Points

    The First Flamenco Documentaries: Flamenco Looks Back

    Chapter 4: Toward a Media Archaeology of Flamenco (II): Flamenco on Record

    Prologue: The Mechanical City in the Desert

    Theoretical Starting Points

    Flamenco's Struggles with, and Accommodations to, Epistemological Modernity

    The Hermetic Defence as Political Strategy

    Early Sound Reproduction Technologies in Spain: el invento admirable de Mr. Edisson

    Flamenco and the Pharmakon of Tin and Wax: Remedy, Poison, and the Agency of the Machine

    The Era of the Gabinetes

    The Gramophone and Industrialisation (from 1903)

    The Electric Turn and the "Microsurgery" of the Voice (1925 - 1930)

    Conclusion: The pharmakon of the Archive and the Paradox of Preservation

    Conclusion: The Great Phrygian Defiance

    Flamenco in the Global North

    The Foreclosed Vernacular

    What Was Taken from Flamenco

    The Journey from There to Here

    Flamenco Form as Process

    Glossary

    Discography

    Filmography

    Bibliography

    Index