Produktbild: Middleton, K: Color Theory for the Makeup Artist

Middleton, K: Color Theory for the Makeup Artist

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Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

31.05.2018

Abbildungen

170 Illustrations, color

Verlag

Taylor and Francis

Seitenzahl

136

Maße (L/B)

23.5/19.1 cm

Gewicht

453 g

Sprache

Englisch

ISBN

978-1-138-09524-3

Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

31.05.2018

Abbildungen

170 Illustrations, color

Verlag

Taylor and Francis

Seitenzahl

136

Maße (L/B)

23.5/19.1 cm

Gewicht

453 g

Sprache

Englisch

ISBN

978-1-138-09524-3

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  • Produktbild: Middleton, K: Color Theory for the Makeup Artist
  • ACKNOWLEDGEMENTS

    FOREWORD

    INTRODUCTION

    CHAPTER 1: COLOR THEORY

    • WHY WE SEE COLOR

      1. THE VISIBLE SPECTRUM

    • CLASSIFYING COLOR

      1. THE COLOR WHEEL
      2. WARM & COOL COLORS
      3. PRIMARY COLORS
      4. SECONDARY COLORS
      5. TERTIARY COLORS

    • COLOR RELATIONSHIPS

      1. COMPLEMENTARY COLORS
      2. COLOR SCHEMES

    • THE 3 ATTRIBUTES OF COLOR

      1. HUE, VALUE, & INTENSITY
      2. CATEGORIZING COLORS

    • MIXING COLOR

      1. TINTS, SHADES, & TONES
      2. LIGHT & DARK COLORS
      3. COLOR CONSTANCY

    • COLOR SYSTEMS

      1. RYB
      2. CMY
      3. RGB
      4. ADDITIVE & SUBTRACTIVE COLOR

    • OPTICAL ILLUSIONS IN COLOR

      1. SIMULTANEOUS CONTRAST
      2. OPTICAL MIXTURES
      3. AFTER-IMAGES
      4. IMPRESSIONISM
      5. POINTILLISM

    CHAPTER 2: PIGMENTS & DYES

    • WHAT ARE PIGMENTS & DYES?

      1. PIGMENTS
      2. DYES
      3. EXAMPLES OF PIGMENTS & DYES
      4. PIGMENTS & DYES IN MAKE-UP

    • CHARACTERISTICS OF PIGMENTS

      1. INORGANIC & ORGANIC PIGMENTS
      2. TRANSPARENCY & OPACITY
      3. PIGMENT VARIATIONS & MIXTURES

    CHAPTER 3: FLESH TONES

    • PIGMENTS IN SKIN
    • MAKING FLESH TONES FROM PRIMARY PIGMENTS
    • COLOR BREAKDOWNS

    CHAPTER 4: APPLYING COLOR THEORY TO BEAUTY MAKE-UP

    • MAKE-UP BASE COLORS

      1. UNDERTONES
      2. FOUNDATION MATCHING
      3. COLORED POWDERS
      4. CONCEALERS
      5. COLOR CORRECTION
      6. SHADOWS & HIGHLIGHTS

    • ADDING COLOR: EYES, CHEEKS & LIPS

      1. EYES
      2. CHEEKS
      3. LIPS

    • MAKE-UP DESIGN

      1. BREAKING THE RULES
      2. THINGS TO CONSIDER

    CHAPTER 5: APPLYING COLOR THEORY TO SPECIAL EFFECTS MAKE-UP

    • COLORS IN THE BODY

      1. THE CIRCULATORY SYSTEM
      2. BLOOD
      3. BURNS, BRUISES & SCARS
      4. COLD & FROSTBITE
      5. SICKNESS & DEATH
      6. DIRT & MUD
      7. MAKING TATTOOS
      8. TEETH

    • PAINTING PROSTHETIC APPLIANCES

      1. STIPPLING
      2. INTRINSIC COLOR
      3. WHEN TO ADD BLACK

    • COLOR INSPIRATION FOR CHARACTER DESIGN

      1. PSYCHOLOGICAL EFFECTS OF COLOR
      2. COLORS IN NATURE

    CHAPTER 6: HOW LIGHTING AFFECTS COLOR

    • LIGHTING YOUR WORKSPACE

      1. NATURAL LIGHT
      2. COLOR TEMPERATURE OF LIGHT
      3. LIGHT BULBS
      4. MAKEUP ROOMS & TRAILERS

    • COLORED LIGHTING

      1. COLOR MIXING WITH LIGHT
      2. THREE CHARACTERISTICS OF COLORED LIGHT
      3. COLORED GELS
      4. ADDING WARM LIGHT
      5. ADDING COOL LIGHT

    • LIGHTING FOR THEATER
    • LIGHTING FOR FILM & TV

      • 3 POINT LIGHTING
      • EARLY FILM
      • HD FILM

    • LIGHTING FOR PHOTOGRAPHY
    • COLOR GRADING

    CONCLUSION

    BIBLIOGRAPHY

    GLOSSARY