Produktbild: Sense and Sadness

Sense and Sadness Syriac Chant in Aleppo

Fr. 183.00

inkl. gesetzl. MwSt., Versandkostenfrei


Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

20.04.2012

Verlag

Oxford Academic

Seitenzahl

248

Maße (L/B/H)

24/16.1/1.8 cm

Gewicht

505 g

Sprache

Englisch

ISBN

978-0-19-063525-1

Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

20.04.2012

Verlag

Oxford Academic

Seitenzahl

248

Maße (L/B/H)

24/16.1/1.8 cm

Gewicht

505 g

Sprache

Englisch

ISBN

978-0-19-063525-1

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: gpsr@libri.de

Noch keine Bewertungen vorhanden

Verfassen Sie die erste Bewertung zu diesem Artikel

Helfen Sie anderen Kundinnen und Kunden durch Ihre Meinung.

Kundinnen und Kunden meinen

Bewertungen (0)

Die Leseprobe wird geladen.
  • Produktbild: Sense and Sadness
    • Preface

    • Telling history in motion

    • Dismantled machinery

    • Illusive empowerment

    • Part One

    • Modes of Thinking

    • Chapter I

    • Emotion and the Aesthetic

    • [Snapshot]

    • Emotion and the Economy of Aesthetics

    • The emotional economy of aesthetics

    • A living music

    • Central marginality

    • Music complexity

    • Mode as metaphor

    • Understanding through imagination

    • A dynamic outlook on method

    • [Snapshot]

    • A scholarship of emotion

    • Discursive subjectivities

    • Scholar(ship) and subject(s)

    • Situationality as liminality

    • Aestheticizing the emotional

    • Chapter II

    • Edessan Christians in Hayy al-Suryan

    • Unique sounds, against historic odds

    • Syriac liturgy and theology

    • Modern Christianity with ancient roots

    • Begging pardon: Shubqono

    • Forty times "Forty Bows"

    • Early asceticism for modern worshippers

    • Body, voice, and gendered spaces

    • Part Two

    • Modes of Knowledge

    • Chapter III

    • Eight Old Syriac Modes

    • Definitions and tools

    • Conventional European tools

    • Local tools

    • Music book and ontological value

    • Written Sources

    • "The Ethicon" and "The Pearls"

    • Suryani musicology

    • "Tableau sans ombres"

    • Re-shifting focus

    • Chapter IV

    • Chant As Local Knowledge

    • Contested modality

    • A monastic perspective

    • Music knowledge and Hayy al-Suryan

    • Transcription

    • Theoretical issues

    • Local challenges

    • Handwriting tradition

    • Knowledge, modality, and influences

    • Part Three

    • Modes of Value

    • Chapter V

    • Suryaniness

    • Ethnic spirituality

    • Place/space and Urfa/Edessa

    • Language

    • Sound originality

    • Sacred texts

    • Sacred melodies

    • Chapter VI

    • Performing Value

    • The Washing of the Feet

    • Building up sadness

    • Chapter VII

    • Authority

    • Performing authority

    • [Snapshot] Value, one morning, and a camera

    • Voicing authority

    • Performative complexity

    • Part Four

    • Modalities of Song and Emotion

    • Chapter VIII

    • Hasho

    • Huzn as religious aesthetic

    • Hasho, a Syriac term

    • Canonic sadness

    • Aestheticized emotionality

    • By the cross

    • Hasho, the mode

    • Epilogue

    • Non-Conclusions

    • Glossary

    • References