Produktbild: Screening Race in American Nontheatrical Film

Screening Race in American Nontheatrical Film

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Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

15.11.2019

Abbildungen

134 illustrations

Herausgeber

Allyson Nadia Field + weitere

Verlag

Duke University Press

Seitenzahl

456

Maße (L/B/H)

23.4/15.4/2.8 cm

Gewicht

481 g

Sprache

Englisch

ISBN

978-1-4780-0414-1

Beschreibung

Rezension

"Screening Race in American Nontheatrical Film illuminates what is hidden right in front of us. Like cable or YouTube today, nontheatrical films have left evidence of a broader expression beyond commercial films and examining them through the lens of race gives us a peek into a less homogenous and more realistic world. This collection of essays reminds us to reclaim this space as culturally valuable and, in a sense, take the power back by shifting perspective to explore an overlooked reality, not a marginal one." - Shola Lynch, Curator, Moving Image and Recorded Sound Division, Schomburg Center for Research in Black Culture of The New York Public Library "This collection of essays-with its range of topics and archival discoveries-is essential reading for anyone committed to, or even remotely interested in, the study of cinema. Screening Race in American Nontheatrical Film uncovers buried treasures that are part of the long-standing tradition of moving image storytelling-a tradition that did not always aspire to mainstream Hollywood recognition, but succeeded alongside it." - Rhea L. Combs, Curator of Photography and Film and Director of the Center for African American Media Arts, Smithsonian National Museum of African American History and Culture "Brimming with sharp insights and archival discoveries, this valuable book opens up a world unknown to most and offers a look at American society in the 20th century, far from the artificial gloss of Hollywood cinema." - W. W. Dixon (Choice) "An informative collection of works, the volume deftly illustrates the breadth, reach, and influence of nontheatrical films that centre race and ethnicity. As a bonus, a rich collection of videos discussed in the book is available for use in classrooms, particularly for instructors of film or race and ethnic studies who desire to use movies to explore specific themes.... Screening Race in American Nontheatrical Film serves as a handy reference for scholars, researchers, and students and as a helpful reminder of the hidden gems showcased outside the theatre." - Maryann Mamie Erigha (Ethnic and Racial Studies) "Screening Race in American Nontheatrical Film not only...opens up a number of exciting avenues for future research, but also provides readers with the concrete steps, tools and materials needed to continue this work. I hope that this volume will serve as a productive starting point for many future studies." - Carolyn Condon Jacobs (Screen)

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

15.11.2019

Abbildungen

134 illustrations

Herausgeber

Verlag

Duke University Press

Seitenzahl

456

Maße (L/B/H)

23.4/15.4/2.8 cm

Gewicht

481 g

Sprache

Englisch

ISBN

978-1-4780-0414-1

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: gpsr@libri.de

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  • Produktbild: Screening Race in American Nontheatrical Film
  • Note on the Companion Website  ix
    Foreword. Giving Voice, Taking Voice: Nonwhite and Nontheatrical / Jacqueline Najuma Stewart  xi
    Acknowledgments  xxv
    Introduction / Allyson Nadia Field and Marsha Gordon  1
    1. "A Vanishing Race"? The Native American Films of J. K. Nixon / Caitlin McGrath  29
    2. "Regardless of Race, Color, or Creed": Filming the Henry Street Settlement Visiting Nurse Service, 1924–1933 / Tanya Goldman  51
    3. "I'll See You in Church": Local Films in African American Communities, 1924–1962 / Martin L. Johnson  71
    4. The Politics of Vanishing Celluloid: Fort Rupert (1951) and the Kwakwaka'wakw in American Ethnographic Film / Colin Williamson  92
    5. Red Star/Black Star: The Early Career of Film Editor Hortense "Tee" Beveridge, 1948–1968 / Walter Forsberg  112
    6. Charles and Ray Eames's Day of the Dead (1957): Mexican Folk Art, Educational Film and Chicana/o Art / Colin Gunkel  136
    7. Ever-Widening Horizons? The National Urban League and the Pathologization of Blackness in A Morning for Jimmy (1960) / Michelle Kelley  157
    8. "A Touch of the Orient": Negotiating Japanese American Identity in The Challenge (1957) / Todd Kushigemachi and Dino Everett  175
    9. "I Have My Choice": Behind Every Good Man (1967) and the Black Queer Subject in American Nontheatrical Film / Noah Tsika  194
    10. Televising Watts: Joe Saltzman's Black on Black (1968) on KNXT / Joshua Glick  217
    11. "A New Sense of Black Awareness"? Navigating Expectations in The Black Cop (1969) / Travis L. Wagner and Mark Garrett Cooper  236
    12. "Don't Be a Segregationist: Program Films for Everyone": The New York Public Library's Film Library and Youth Film Workshops / Elena Rossi-Snook and Lauren Tilton  253
    13. Teenage Moviemaking in the Lower East Side: The Rivington Street Film Club, 1966–1974 / Noelle Griffis  271
    14. Ro-Revus Talks about Race: South Carolina Malnutrition and Parasite Films, 1968–1975 / Dan Streible  290
    15. Government-Sponsored Film and Latinidad: Voice of La Raza (1973) / Laura Isabel Serna  313
    16. An Aesthetics of Multiculturalism: Asian American Assimilation and the Learning Corporation of America's Many Americans Series (1970–1982) / Nadine Chan  333
    17. "The Right Kind of Family": Memories to Light and the Home Movie as Racialized Technology / Crystal Mun-Hye Baik  353
    18. Black Home Movies: Time to Represent / Jasmyn R. Castro  372
    Selected Bibliography  392
    Contributors  401
    Index  403