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  • Produktbild: Cultural Convergence
  • Produktbild: Cultural Convergence

Cultural Convergence The Dublin Gate Theatre, 1928–1960

Fr. 72.90

inkl. gesetzl. MwSt., Versandkostenfrei

Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

04.11.2020

Abbildungen

XVIII, 244 p. 28 illus., 1 illus. in color.

Herausgeber

Ondřej Pilný + weitere

Verlag

Springer

Seitenzahl

244

Maße (L/B/H)

21.6/15.3/1.9 cm

Gewicht

419 g

Auflage

20001 Auflage 1st edition 2021

Sprache

Englisch

ISBN

978-3-030-57561-8

Beschreibung

Portrait


Ondřej Pilný
is Professor of English and American Literature and Director of the Centre for Irish Studies at Charles University, Prague, Czech Republic. His publications include
The Grotesque in Contemporary Anglophone Drama
(2016) and
Irony and Identity in Modern Irish Drama
(2006).



Ruud van den Beuken
is Assistant Professor of English Literature at Radboud University Nijmegen, the Netherlands. He was awarded the 2015 ISTR New Scholars’ Prize and his publications include
Avant-Garde Nationalism at the 
Dublin Gate Theatre, 1928–1940
(2020).



Ian R. Walsh
is a Lecturer in Drama and Theatre Studies at NUI Galway, Ireland. His publications include
Experimental Irish Theatre: After W.B. Yeats
(2012) and 
The Theatre of Enda Walsh
(2015), co-edited with Mary Caulfield.

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

04.11.2020

Abbildungen

XVIII, 244 p. 28 illus., 1 illus. in color.

Herausgeber

Verlag

Springer

Seitenzahl

244

Maße (L/B/H)

21.6/15.3/1.9 cm

Gewicht

419 g

Auflage

20001 Auflage 1st edition 2021

Sprache

Englisch

ISBN

978-3-030-57561-8

Herstelleradresse

Springer-Verlag GmbH
Europaplatz 3
69115 Heidelberg
DE

Email: ProductSafety@springernature.com

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  • Produktbild: Cultural Convergence
  • Produktbild: Cultural Convergence

  • 1. Introduction: Cultural Convergence at Dublin’s Gate Theatre; Ondřej Pilný (Charles University, Prague, Czech Republic), Ruud van den Beuken (Radboud University Nijmegen, The Netherlands) and Ian R. Walsh (NUI Galway, Ireland).- 2. The Internationalist Dramaturgy of Hilton Edwards and Micheál mac Liammóir; Joan FitzPatrick Dean (University of Missouri – Kansas City, USA) and Radvan Markus (Charles University, Prague, Czech Republic).- 3. Gearóid Ó Lochlainn: The Gate Theatre’s Other Irish-speaking Founder; Pádraig Ó Siadhail (Saint Mary’s University, Halifax, Nova Scotia, Canada).- 4. The Transnational Roots of Key Figures from the Early Years of the Gate Theatre, Dublin; David Clare (Mary Immaculate College, University of Limerick, Ireland) and Nicola Morris (Trinity College Dublin, Ireland).- 5. The Other Gates: Anglo-American Influences on and from Dublin; Charlotte Purkis (University of Winchester, UK).- 6. The Brothers Čapek at the Gate: R.U.R. and The Insect Play; Ondřej Pilný (Charles University, Prague, Czech Republic).- 7. Kismet: Hollywood, Orientalism and the Design Language of Padraic Colum’s Mogu of the Desert; Elaine Sisson (IADT, Dublin, Ireland).- 8. Prussian Discipline and Lesbian Vulnerability: Christa Winsloe’s Children in Uniform at the Gate; Yvonne Ivory (University of South Carolina, USA).- 9. ‘We belong to the world’: Christine Longford’s War Plays during Irish Neutrality; Erin Grogan (Texas Tech University, USA).