• Produktbild: Women Making Art
  • Produktbild: Women Making Art

Women Making Art Women in the Visual, Literary, and Performing Arts Since 1960, Second Edition

Fr. 63.90

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Beschreibung

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

28.08.2020

Abbildungen

27

Herausgeber

Deborah J. Johnson + weitere

Verlag

Peter Lang Publishing Inc. New York

Seitenzahl

334

Maße (L/B/H)

22.5/15/2 cm

Gewicht

496 g

Auflage

1

Sprache

Englisch

ISBN

978-1-4331-5390-7

Beschreibung

Portrait

Deborah J. Johnson is Professor of Modern and Contemporary Culture at Providence College in the Art History and Women’s Studies departments. She is the author of several books, scholarly articles, and museum catalogs, two of which won national awards. She received her PhD from Brown University.Wendy Oliver, Professor of Dance and Women & Gender Studies at Providence College, chairs the Department of Theatre, Dance, and Film. She is the author/editor of articles and books on dance and gender, dance history, and criticism. She holds an EdD from Columbia University.

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

28.08.2020

Abbildungen

27

Herausgeber

Verlag

Peter Lang Publishing Inc. New York

Seitenzahl

334

Maße (L/B/H)

22.5/15/2 cm

Gewicht

496 g

Auflage

1

Sprache

Englisch

ISBN

978-1-4331-5390-7

EU-Ansprechpartner

Zeitfracht Medien GmbH
Ferdinand-Jühlke-Straße 7
99095 Erfurt
DE
produktsicherheit@zeitfracht.de

Herstelleradresse

Peter Lang
Avenue du Théâtre 7
1005 Lausanne
CH
orders@peterlang.com

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  • Produktbild: Women Making Art
  • Produktbild: Women Making Art

  • List of Illustrations – Preface – Acknowledgements – Deborah J. Johnson/Wendy Oliver: Introduction – Deborah J. Johnson: The Political Dialogic of Yoko Ono’s
    Cut Piece
    (1964) – Wendy Oliver: Disappearing Act: Yvonne Rainer,
    Trio A
    , and the Feminist Dilemma (1966) – Annie Perkins: The Poetry of Gwendolyn Brooks (1970s–’80s) – Deborah J. Johnson: The Secularization of the Sacred: Judy Chicago’s
    Dinner Party
    and Feminist Spirituality (1974–79) – Maura Reilly: Cindy Sherman’s
    Untitled Film Stills
    : Reproductive or Transgressive Mimicry? (1977–81) – Loretta Lorance: Zaha Hadid: The
    Peak Club
    Competition and the Politics of Architecture (1982) – Phillipa Kafka: Erecting a Statue of an Unknown Goddess in Amy Tan’s
    The Kitchen God’s Wife
    (1991) – Denise Bauer: Jane Campion’s
    The Piano
    : A Feminist Tale of Resistance (1993) – Sarah Lansdale Stevenson: Yielding to Multiplicity: The Kaleidoscopic Subject of Paula Vogel’s
    How I Learned to Drive
    (1997) – Wendy Oliver: Crystal Pite’s
    Emergence
    : Hierarchy, Swarm Intelligence, and Contemporary Ballet (2009) – Christina L. Reitz: A Firm Foundation: Formal Tradition in Caroline Shaw’s
    Partita for 8 Voices
    (2009–2012) – Deborah J. Johnson:
    Beygency
    : Power, Sex, and Subjectivity in the Feminist Politics of Beyoncé Knowles-Carter (2013) – Rebecca Peabody: Ephemeral Monumentality and the Art of the Future: Kara Walker’s
    A Subtlety
    (2014) – Jennifer Madden: Having Her Pie and Eating It Too:
    Waitress
    and the Popular Art of Diane Paulus (2016) – Contributors – Index.