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Produktbild: Popular Cinemas in East Central Europe

Popular Cinemas in East Central Europe Film Cultures and Histories

Fr. 55.90

inkl. gesetzl. MwSt., Versandkostenfrei

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

18.11.2021

Herausgeber

Dorota Ostrowska + weitere

Verlag

Bloomsbury

Seitenzahl

384

Maße (L/B/H)

23.4/15.6/2 cm

Gewicht

533 g

Sprache

Englisch

ISBN

978-1-350-24426-9

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

18.11.2021

Herausgeber

Verlag

Bloomsbury

Seitenzahl

384

Maße (L/B/H)

23.4/15.6/2 cm

Gewicht

533 g

Sprache

Englisch

ISBN

978-1-350-24426-9

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  • Produktbild: Popular Cinemas in East Central Europe
  • 1. INTRODUCTION 2. Producing the Popular Chapter 1: How to be loved? Three takes on ‘the popular’ in socialist and nonsocialist cinema (Paul Coates) Chapter 2: Postwar Czechoslovak Comedy, the Autonomization of Parody, and Lemonade Joe (1964) (Petr Szczepanik) Chapter 3: The Czechoslovak-East German Co-Production Three Nuts for Cinderella – A Transnational Tale (Pavel Skopal) Chapter 4: Hollywood’s factor in the most popular Hungarian films of the 1996-2014 period: when a small postcommunist cinema meets a mainstream one (Andrea Virginás) Chapter 5: Serial Nostagia: On Alternative Modes of Popular Cinema in Post-89 Czech Production (Francesco Pitassio) 3. Genre: Chapter 6: Czech Historical Film and Historical Traditions: The Merry Wives (1938) (Ivan Klimeš) Chapter 7: Transformations: Hungarian Popular Cinema in the 1950s (Balázs Varga) Chapter 8: Poland’s Wild West and East: Polish Westerns of the 1960s (Miko?aj Kunicki) Chapter 9: The Paradox of Popularity: The Case of Crime Movie with Socialism in Hungary (Gábor Gelencsér) Chapter 10: Film in Full Gallop: Aesthetics and the Equine in Poland’s Epic Cinema (Matilda Mroz) Chapter 11: The Power of Love: Polish Postcommunist Popular Cinema (El?bieta Ostrowska) Chapter 12: When Walls Fall: Families in Hungarian Films of the New Europe (Clara Orban) 4. Stardom, Exhibition, and Reception: Chapter 13: Starlets and heartthrobs: the Hungarian cinema of the interwar period (Zsuzanna Varga) Chapter 14: Stripping of his charms: The stability and transformation of Old?ich Nový's star image 1936–1955 (Šárka Gmiterková) Chapter 15: “Humanist Screens”: Foreign Cinema in Socialist Poland (1945-1956) (Dorota Ostrowska) Chapter 16: The Exhibition of Popular Cinema in the Czech Republic and Slovakia After 1989 within the Context of the European Union (Jan Hanzlík)