Produktbild: Debbie tucker green

Debbie tucker green Critical Perspectives

Fr. 149.00

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Beschreibung

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

16.04.2021

Herausgeber

Siân Adiseshiah + weitere

Verlag

Springer

Seitenzahl

354

Maße (L/B/H)

21/14.8/2 cm

Gewicht

476 g

Auflage

1st ed. 2020

Sprache

Englisch

ISBN

978-3-030-34583-9

Beschreibung

Portrait

Dr Siân Adiseshiah is Senior Lecturer in English and Drama at Loughborough University. Her previous books include (co-edited with Louise LePage)  Twenty-First Century Drama: What Happens Now  (Palgrave, 2016); (co-edited with Rupert Hildyard),  Twenty-First Century Fiction: What Happens Now  (Palgrave, 2014) and  Churchill’s Socialism: Political Resistance in the Plays of Caryl Churchill  (CSP, 2009). She is currently writing a monograph,  Utopian Drama: In Search of A Genre.

Dr Jacqueline Bolton is Senior Lecturer in Theatre and Drama at the University of Lincoln. She has contributed chapters on Simon Stephens and Joint Stock theatre company to  Modern British Playwriting: Voices, Documents, New Interpretations: the 2000s  (Methuen, 2013) and  British Theatre Companies: From Fringe to Mainstream  (Methuen, 2015), and articles on contemporary theatre-making to  Studies in Theatre and Performance  and  Contemporary Theatre Review . She is currently writing a monograph on the plays of Simon Stephens.

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

16.04.2021

Herausgeber

Verlag

Springer

Seitenzahl

354

Maße (L/B/H)

21/14.8/2 cm

Gewicht

476 g

Auflage

1st ed. 2020

Sprache

Englisch

ISBN

978-3-030-34583-9

Herstelleradresse

Springer-Verlag GmbH
Tiergartenstr. 17
69121 Heidelberg
DE

Email: ProductSafety@springernature.com

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  • Produktbild: Debbie tucker green
  • Chapter 1: ‘change ain’t fuckin polite, scuse my language’: situating debbie tucker green.- Part I: Dramaturgies of Resistance.- Chapter 2: Black Rage: Diasporic Empathy and Ritual in debbie tucker green’s  hang.-  Chapter 3: ‘What about the burn their bra bitches?’: debbie tucker green as the Willfully Emotional Subject.- Chapter 4: debbie tucker green and (the Dialectics of) Dispossession: Reframing the Ethical Encounter.- Chapter 5: Engaging with Human Rights:  truth   and reconciliation  and  hang .- Chapter 6: ‘I’m a black woman. I write black characters’: Black Mothers, the Police, and Social Justice in  random  and  hang .- Chapter 7: ‘Almost, but not quite’: Reconciling debbie tucker green’s Dramaturgy with British Playwriting Studies.- Chapter 8: Yarns and Yearnings: Story-Layering, Signifyin’, and debbie tucker green’s Black-Feminist Anger.- Part II: Affective Encounters.- Chapter 9: sticking in the throat/keyword bitch: aesthetic discharge in debbie tucker green’s  stoning mary  and  hang .- Chapter 10: Jumping to (and away from) Conclusions: Rhythm and Temporality in debbie tucker green’s Drama.- Chapter 11: Trading Voice and Voicing Trades: Musicality in debbie tucker green’s  trade .- Chapter 12: ‘Hearing Voices’: Performing the Mind in debbie tucker green’s Dramatic-Poetics.- Chapter 13: Cartographies of Silence in debbie tucker green's  truth and reconciliation .- Chapter 14: debbie tucker green and the Work of Mourning.- Chapter 15: Reflections on  hang.