Scripture and Song in Nineteenth-Century Britain

List of Illustrations
Acknowledgments
Contributors
1. Introduction
James Grande, King's College London, UK, and Brian H. Murray, King's College London, UK
2. The Ballad and the Bible
Oskar Cox Jensen, Newcastle University, UK
3. The Movements of the Old Hundredth Psalm Tune
Jonathan Hicks, University of Aberdeen, UK
4. 'The Son of God goes forth to war': The Imperial Martyr's Hymnbook
Brian H. Murray, King's College London, UK
5. The Song of Zion in Nineteenth-Century Europe: Sacred Choral Music, Emancipation and Modernity in Jewish Liturgy
Rachel Adelstein, Congregation Beth El-Keser Israel, New Haven, CT, USA
6. A Temperament of 'ideal cast, lofty tone, sacrificial flame and haughty purity': Jenny Lind's Faith and Her Career
Matildie Wium, University of the Free State, South Africa
7. Urban Hymns: The Sacred Harmonic Society and Exeter Hall
James Grande, King's College London, UK
8. Singing, Playing, Seeing: Scripture and the Multi-Sensorial Gothic Revival in Late Victorian Church Interiors
Ayla Lepine, St. James' Church, Piccadilly, London, UK
9. Secularising the Sacred, Sanctifying the Commercial: Tonic Sol-fa and the Professionalisation of Evangelical Hymnody
Erin Johnson-Williams, University of Southampton, UK
10. Antisemitism and Hebrew Music in Carl Engel's Music of the Most Ancient Nations (1864)
Bennett Zon, Durham University, UK
Bibliography
Index