Produktbild: Adult Themes

Adult Themes British Cinema and the X Certificate in the Long 1960s

Fr. 153.00

inkl. gesetzl. MwSt., Versandkostenfrei


Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

21.09.2023

Herausgeber

Anne Etienne + weitere

Verlag

Bloomsbury Academic

Seitenzahl

264

Maße (L/B/H)

22.9/15.2/2.5 cm

Gewicht

454 g

Sprache

Englisch

ISBN

978-1-5013-7527-9

Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

21.09.2023

Herausgeber

Verlag

Bloomsbury Academic

Seitenzahl

264

Maße (L/B/H)

22.9/15.2/2.5 cm

Gewicht

454 g

Sprache

Englisch

ISBN

978-1-5013-7527-9

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  • Produktbild: Adult Themes
  • Acknowledgements

    List of illustrations

    Introduction: 'Passed As Only Suitable for Exhibition to Adult Audiences: X'
    Anne Etienne (University College Cork, Ireland), Benjamin Halligan (University of Wolverhampton, UK), and Christopher Weedman (Middle Tennessee State University, USA)

    1. Green Penguin Films
    Kim Newman (Independent Scholar)

    2. The Commercial Idealism of Controversial Cinema: Raymond Stross and the Censorship of The Flesh Is Weak
    Christopher Weedman (Middle Tennessee State University, USA)

    3. Colour, Realism and the X Certificate: Horrors of the Black Museum and Peeping Tom
    Sarah Street (University of Bristol, UK)

    4. Mediating Desire: Karel Reisz's Adaptation of Saturday Night and Sunday Morning
    Simon Lee (Texas State University, USA)

    5. Lolita, Censorship, and Controversy: The Archival Remains of the Dispute Between Canon L. J. Collins and Stanley Kubrick
    James Fenwick (Sheffield Hallam University, UK)

    6. Paternalism, Bohemianism, and the X Certificate: The Party's Over and the Pre-Swinging Set
    Kevin M. Flanagan (George Mason University, USA)

    7. Mediatising Modernity: Femininity in the X-Rated Swinging London Film
    Moya Luckett (Texas State University, USA)

    8. What Are the X-Rated Secrets of the Windmill Girls?
    Adrian Smith (Independent Scholar)

    9. The Potent Sexuality of the Middle-Aged Woman: Alice Aisgill, Karen Stone, Zee Blakeley and Ruby
    Lucy Bolton (Queen Mary University of London, UK)

    10. Censoring Carmilla: Lesbian Vampires in Hammer Horror
    Claire Henry (Massey University, Aotearoa New Zealand)

    11. 'The horror film to end all horror films': 10 Rillington Place and the British Board of Film Censors' Shifting Policy on True Crime
    TimSnelson (University of East Anglia, UK)

    12. Class and Classification: The British Board of Film Censors' Reception of Horror at the Time of the Festival of Light
    Benjamin Halligan (University of Wolverhampton, UK)

    Contributors

    Index