Band 49
Music and Mirrored Hybridities Cultural Communities Converging in French, German, and Turkish Stage Productions (17th–20th Century)
Aus der Reihe
Istanbuler Texte und Studien (ITS)
Fr. 62.90
inkl. gesetzl. MwSt.,
Beschreibung
Produktdetails
Einband
Gebundene Ausgabe
Erscheinungsdatum
02.10.2023
Herausgeber
Judith I. Haug + weitereVerlag
ErgonSeitenzahl
242
Maße (L/B/H)
2/17/24 cm
Gewicht
645 g
Auflage
1. Auflage
Sprache
Englisch
ISBN
978-3-9874004-4-5
In early modern Europe, music-theatrical patterns of representing the foreign ‘Other’ helped shape relations with the Ottoman Empire. Accordingly, hybridity must be understood as a dynamic practice playing with cultural blends and borrowings, albeit possibly (re-)producing inequalities, ambiguities, and clichés. Representations of Ottomans/Turks appear as musical features emerging out of vague inspirations derived from Ottoman/Turkish music, creating a particular sound that could be decoded as ‘Ottoman’ or ‘Turkish’ by contemporary listeners.
This volume addresses the convergence of cultural communities on stage from early modern France to present-day Turkey, starting from the iconic ‘Turkish scene’ from Le Bourgeois gentilhomme (1670).
With contributions by
Özlem Berk Albachten | Thomas Betzwieser | Ayşenaz Cengiz | Marie Demeilliez | Irène Feste | Judith I. Haug | Hubert Hazebroucq | Gerrit Berenike Heiter | Evren Kutlay | Martin Laiblin | Hanna Walsdorf
This volume addresses the convergence of cultural communities on stage from early modern France to present-day Turkey, starting from the iconic ‘Turkish scene’ from Le Bourgeois gentilhomme (1670).
With contributions by
Özlem Berk Albachten | Thomas Betzwieser | Ayşenaz Cengiz | Marie Demeilliez | Irène Feste | Judith I. Haug | Hubert Hazebroucq | Gerrit Berenike Heiter | Evren Kutlay | Martin Laiblin | Hanna Walsdorf
Kundinnen und Kunden meinen
Verfassen Sie die erste Bewertung zu diesem Artikel
Helfen Sie anderen Kund*innen durch Ihre Meinung