List of Illustrations
List of Contributors
Acknowledgements
Introduction: After the Fall
Jonathan Ellis (University of Sheffield, UK) and Ana María Sánchez-Arce (Sheffield Hallam University, UK)
1. Annie Hall and the Invention of Film Studies
Annette Kuhn (Queen Mary University of London, UK)
2. The Story of Woody & Diane: Stars and Hit Patterns in the New Hollywood
Peter Krämer (De Montfort University, UK)
3. "Not a Morose Type": The Legacy of Annie Hall's Windsor Font
J.T. Welsch (University of York, UK)
4. Annie Hall as a Memory-Film
Sue Vice (University of Sheffield, UK)
5. I love speaking to you: Narcissism and Annie Hall
Reidar Due (Magdalen College, Oxford University, UK)
6. Narrative Transformations of Joke-work in Annie Hall
Ruth D Johnston (Pace University, USA)
7. The Mechanical Bride: On Not-Knowing in and after Annie Hall
Sarah Kennedy (University of Cambridge and Downing College, UK)
8. "I'm not haunted by Annie Hall. I'm happy to be Annie Hall": The Tangled Relationship between Annie and Diane
Julie Lobalzo Wright (University of Warwick, UK)
9. The Spanish Annie Hall: Pedro Almodóvar's Mujeres al borde de un ataque de nervios
Ana María Sánchez-Arce (Sheffield Hallam University, UK)
10. "Don't look back": The Relationship between Richard Linklater's Before. Trilogy and Annie Hall
Jonathan Ellis (University of Sheffield, UK)
11. Dancing and Falling: Annie Hall's Influence on Frances Ha
Jessica Hannington (University of Sheffield, UK)
12. 'The Sadness of Goodbye in a Funny Movie': Desiree Akhavan's Appropriate Behavior and the Melancholic Legacy of Annie Hall in Contemporary US Film and Television Break-Up Narratives
Hannah Hamad (Cardiff University, UK)
Index
