Gutscheinbedingungen

*Gültig bis 20.09.2026 auf (fast) alles. Ausgeschlossen sind Smartboxen, Zeitschriften, Tickets, Lebensmittel, Gaming-Elektroartikel, Tinte/Toner, Gutscheine, Geschenkkarten, Blumen und Abos | Einlösbar in allen Buchhandlungen von Orell Füssli, Barth Bücher, Buchladen Rapunzel, Schuler Orell Füssli, Stauffacher und ZAP unter Vorweisung des Gutscheins, auf www.orellfüssli.ch durch Eingabe des Gutscheincodes. Beim Service „eBooks verschenken“ und bei eBook-Käufen via eReader nicht einlösbar | Mindesteinkaufswert: Fr. 100.- | Nicht mit anderen Rabatten kumulierbar.

Produktbild: Drafts in Action

Drafts in Action Concepts and Practices of Artistic Intervention

Aus der Reihe Intervening Arts

Fr. 53.90

inkl. gesetzl. MwSt., Versandkostenfrei


Beschreibung

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

23.06.2025

Herausgeber

Anna Kipke + weitere

Verlag

Diaphanes

Seitenzahl

268

Maße (B/H)

14/22.5 cm

Gewicht

540 g

Sprache

Englisch

ISBN

978-3-0358-0698-4

Beschreibung

Portrait

Iryna Kovalenko Iryna Kovalenko is a doctoral researcher at the Collaborative Research Center 1512 “Intervening Arts” at the European University Viadrina of Frankfurt (Oder) and Free University Berlin. Her field of research is contemporary Ukrainian culture and literature. Within the CRC 1512, she is working on the project “The Practices of Artistic Intervention During the Ukrainian Revolution in 2013–2014.” She is examining how artists contributed to the protests on the Maidan, challenging dominant narratives and highlighting the unique aesthetics that emerged.. Laura Rogalski Laura Rogalski is a doctoral researcher at the Collaborative Research Center 1512 “Intervening Arts” at Free University Berlin. As a sociologist, she focuses on cultural sociology, social theory, qualitative methods, and right-wing extremism. Her most recently published article is “On Writing Schools and Pegida Sympathizers. New-Right Literary Criticism” (in German, 2022). At the CRC 1512, she is pursuing a PhD thesis on artists’ and activists’ perspectives on the social impact of their practice.. Simon Teune Simon Teune is a postdoctoral researcher at the Collaborative Research Center 1512 “Intervening Arts” at Freie Universität Berlin. His research focuses on protests and social movements in general, and the cultural embedding of protest movements in particular. He has worked on the visual representation as well as the media coverage of protests. Within CRC 1512, he works on the project “Expectations of the Impact of Artistic Intervention: An Enquiry into Self-Understanding, Practices, and Receptions.”. Mimmi Woisnitza Mimmi Woisnitza is a postdoctoral researcher at the Collaborative Research Center 1512 “Intervening Arts” at Leuphana University Lüneburg and Free University Berlin. As a theater scholar and cultural historian, her research focuses on revolutionary theater practices in the early twentieth century from a feminist perspective. Within CRC 1512, she is pursuing a project on the intersection of life and art in Latvian theater maker Asja Lācis’ relational theater practice and its reception.

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

23.06.2025

Herausgeber

Verlag

Diaphanes

Seitenzahl

268

Maße (B/H)

14/22.5 cm

Gewicht

540 g

Sprache

Englisch

ISBN

978-3-0358-0698-4

EU-Ansprechpartner

Prolit
Siemensstr. 16
35463 Fernwald
DE
service@prolit.de

Herstelleradresse

Diaphanes
Hardstr. 69
8004 Zürich
CH
vertrieb@diaphanes.net

Noch keine Bewertungen vorhanden

Verfassen Sie die erste Bewertung zu diesem Artikel

Helfen Sie anderen Kundinnen und Kunden durch Ihre Meinung.

Kundinnen und Kunden meinen

Bewertungen (0)

  • Produktbild: Drafts in Action









































































































































































  • 7 - 8 Preface 9 - 34 Manifestation, Collectiveness, Documentation: Thinking About Intervening Arts in Terms of Concept and Practice (Anna Kipke, Mimmi Woisnitza) 37 - 58 Performing Absence as Intervention: The Case of Lee Lozano (Amelia Jones) 59 - 66 Collective Performance and the Cuerpo-territorio (Paula Serafini) 67 - 74 Questions of What Remains (Raphael Daibert) 75 - 90 On the “Promise!” of Revolutionary Art Practices: Situating Asja Lācis’ “New Tendencies in Theater” (Riga, 1921) (Mimmi Woisnitza) 93 - 108 Socially Engaged Art Practice in Jerusalem: A Critical Reflection on Public Space Art Engagement (Alia Rayyan) 109 - 122 The Work of Art in the Wake of Apartheid (Premesh Lalu) 123 - 136 Rethinking Objectives, Theory and Practice: Studying Artists’ and Activists’ Perspectives on Impact in Empirical Research (Laura Rogalski) 137 - 148 Theory is & in Practice: On the Relationship Between the Theoretically Intended and Practical Logic of Interventions (Franka Schäfer) 151 - 158 Theory, Positionality, and the Public Space. Interview by Anna Kipke and Simon Teune (Alia Rayyan, María Laura Rosa) 161 - 170 Manifesto—Manifest—Manifestation: The Creation of Collectivity Through Text (Simon Teune) 171 - 182 Estado de Emergencia: Addressing (Trans) feminicide through Feminist Art and Activism (María Laura Rosa) 183 - 196 “I feel that the grotesque will turn into a Molotov cocktail”: Actions of Ukrainian Art Groups Before the Revolution of Dignity (2010–2013) (Iryna Kovalenko) 197 - 204 Traveling Practices. Interview by Anna Kipke and Simon Teune (Agata Jakubowska, Paula Serafini) 207 - 220 Art and War in Ukraine (Natalia Moussienko) 221 - 234 MANIFEST Yourself! Visualizing and Contextualizing (Queer) Feminist Manifestos in an Exhibition (Valeria Schulte-Fischedick) 235 - 246 On Puppets, Dolls, and Harlequins: Textile Constellations between Emma Kunz and Eva Aeppli (Anna Kipke) 247 - 260 The Role of the University as an Institution. Interview by Anna Kipke and Simon Teune (Amelia Jones, Premesh Lalu) 261 - 264 About the Authors 265 - 268 Table of Figures