Notes on Contributors
Acknowledgements
Introduction: Shakespeare, Race and the Power of the Popular
Vanessa I. Corredera (Baylor University, USA) and L. Monique Pittman (Andrews University, USA)
1. 'The King I Know He Is': Black Masculinity in the Intertextual Network of Shakespeare's Hamlet, Disney's The Lion King and Beyoncé's Black is King
Claire Dawkins (Stanford University Online High School, USA)
2. Adapting Whiteness: Race and the Politics of Shakespeare for Young Readers
Tyler Sasser (University of Alabama, USA)
3. 'Calling all the Tiger Mom wannabes!': Parenting with and without Shakespeare across Racial Lines
Jeanette Nguyen Tran (Drake University, USA)
4. 'The future in the instant': Whiteness, Temporality and Frances McDormand's Coen Brothers Archive in Joel Coen's Postmenopausal Macbeth
Jennie M. Votava (Allegheny College, USA)
5. Pop Remix: Shakespeare and White Womanhood in The Mexican-American Novel
Daniel G. Lauby (University of Maine Farmington and Oxford Hills Comprehensive High School, USA)
6. Emily Dickinson Casts Othello: Shakespeare and White Allyship in AppleTV+'s Dickinson
Marianne Montgomery (Thomas Harriot College of Arts and Sciences at East Carolina University, USA) and Vanessa L. Rapatz (Ball State University, USA)
7. 'Alpha, Beta, Cuck': King Lear, Succession and the Rescripting of White Masculinity
Maya Mathur (University of Mary Washington, USA)
8. Shakespeare and Race in Two Pop Culture Versions of Station Eleven
Michael D. Friedman (University of Scranton, USA)
9. Shakespeare and Bridgerton: The Myths of Race and Gender in Regency Romance
Taarini Mookherjee (Queen's University Belfast, UK)
Epilogue: Moonflower Murders and the Racial Evasions of Pop
Vanessa I. Corredera (Baylor University, USA) and L. Monique Pittman (Andrews University, USA)
Bibliography
Index
