Produktbild: Re-viewing Hitchcock

Re-viewing Hitchcock New Critical Perspectives

Aus der Reihe British Film Institute

Fr. 159.00

inkl. gesetzl. MwSt., Versandkostenfrei


Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

19.02.2026

Abbildungen

150 colour illus

Verlag

Bloomsbury USA

Seitenzahl

448

Maße (L/B/H)

24.6/18.9/2.3 cm

Gewicht

797 g

Sprache

Englisch

ISBN

978-1-83902-620-1

Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

19.02.2026

Abbildungen

150 colour illus

Verlag

Bloomsbury USA

Seitenzahl

448

Maße (L/B/H)

24.6/18.9/2.3 cm

Gewicht

797 g

Sprache

Englisch

ISBN

978-1-83902-620-1

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: GPSR Kontakt

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  • Produktbild: Re-viewing Hitchcock
  • List of Contributors
    Acknowledgements
    Introduction by Robert E. Kapsis

    PART 1: ENDURING TRIUMPHS
    1. The Lodger (1926): The First True Hitchcock Film
    Henry K. Miller
    2. The Two Blackmails From 1929: A Reputation Crosses the Sound Barrier
    Bryony Dixon
    3. "No Manners at All and Always Seeing Things": The Return of Hitchcock's Vanished Englishwomen in The 39 Steps (1935) and The Lady Vanishes (1938)
    J.E. Smyth
    4. Rebecca's Gendered Reception: 1941 to the Present
    Patricia White
    5. Shadow of a Doubt (1943) and Notorious (1946): Two Hollywood - and Definitively American - Masterworks
    Thomas Schatz
    6. Re-Viewing Rear Window (1954)
    Janet Staiger
    7. North by Northwest (1959): Nothing But Entertainment
    Thomas Leitch

    PART 2: CHANGING RECEPTIONS
    8. "A director who can impose his own personality on his pictures":
    British critics and Sabotage (1936)
    James Chapman
    9. The Man Who Knew Too Much (1956): as a Critical Lens on American Culture
    Paula Marantz Cohen
    10. "She Isn't Quite Herself Today." Psycho (1960): Before and After Queer Theory
    David Greven
    11. #MeToo and Angry Nature: The Changing Tides of Approaches to The Birds (1963)
    Lucy Bolton
    12. Vertigo (1958) and Marnie (1964): Two Reception Histories on Steroids
    Robert E. Kapsis
    13. Rope (1948): A Late Bloomer
    Neil Badmington

    PART 3: FILMS ON AN UPWARDS TRAJECTORY
    14. Downhill (1927)
    Henry K. Miller
    15. Under Capricorn (1948)
    Richard Allen
    16. Trouble with Harry (1955)
    Sidney Gottlieb
    17. Mr. and Mrs. Smith (1941)
    Elizabeth Bullock
    18. The Wrong Man (1956)
    Jason P. Isralowitz and Robert E. Kapsis

    PART 4: FOUR RECEPTION ANOMALIES
    19. Hitchcock and His Critics: The Fall and Rise of Strangers on a Train (1951)
    Robert E. Kapsis
    20. Frenzy (1972): "Dark, Nasty, Full of Bile" .and a Masterpiece?
    Tania Modleski
    21. 'One of the most uneven films in the history of cinema':
    Topaz (1969)
    James Chapman
    22. What the Two Versions of The Man Who Knew Too Much Reveal About Film Criticism in the United States and Britain
    Robert E. Kapsis

    PART 5: HITCHCOCK'S TELEVISION SERIES
    23. The Final Frontier: Hitchcock's Television Work
    Thomas Leitch
    24. Towards a New Appreciation of Alfred Hitchcock Presents, The Alfred Hitchcock Hour,
    and Shamley Productions
    Christina Lane
    25. Life after Death: Preserving and Promoting Hitchcock's TV Persona
    Robert E. Kapsis
    26. Travels in Hitchcock's Multiverse
    Joel Gunz

    PART 6: GLOBAL HITCHCOCK: BEYOND THE US AND THE UK

    27. Hitchcock and L'Écran français: At the Roots of the Politique des auteurs?
    Tifenn Brisset
    28. Hitchcock in Germany-A Germanic Hitchcock?: Transnational Genre, Art Cinema, and Auteurism in 1970s/1980s Filmkritik and in the Work of Harun Farocki and Christian Petzold
    Jaimey Fisher
    29. Alfred Hitchcock and Italian Film Criticism: "A Good Second-Rate Director"
    Francesca Cantore and Andrea Minuz
    30. Alfred Hitchcock's Cinema in the USSR and Post-Soviet Russia: Loud Absence
    Sergei Kapterev
    31. Tracing Hitchcock in South Korea: From I Confess to Decision to Leave
    Hye Seung Chung
    32. Hitchcock in Japan: Invisibility and Hypervisibility
    Daisuke Miyao
    33. Introducing Hitchcock to Communist China: Two Decades of Reception and Popularization
    Sun Yi
    34. Hitchcock in Spain
    Dona M. Kercher
    35. Hitchcock's Audiences in Mexico: From Movie Theaters to TV
    Ana Rosas Mantecón
    36. Hitchcock in Argentina: Some Preliminary Findings
    Dona M. Kercher

    Coda A A "Signature Pattern": The Importance of Music in Hitchcock's Films
    Jack Sullivan
    Coda B Deserter or Honored Exile? Views of Hitchcock from Wartime Britain
    Charles Barr
    Index