Produktbild: The Symphony in Britain and Ireland since 1900

The Symphony in Britain and Ireland since 1900 A Critical History

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Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

22.06.2026

Abbildungen

Worked examples or Exercises

Herausgeber

Nicholas Jones

Verlag

Cambridge Academic

Seitenzahl

424

Maße (L/B/H)

24.4/17/2.4 cm

Gewicht

873 g

Sprache

Englisch

ISBN

978-1-00-925453-3

Beschreibung

Portrait

Dr Nicholas Jones is Reader in Musicology and Head of Cardiff University's School of Music. He has authored and edited major works on Peter Maxwell Davies, Harrison Birtwistle and Michael Tippett, and Welsh art music, and co-directs the Cardiff University British Music Research Centre.

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

22.06.2026

Abbildungen

Worked examples or Exercises

Herausgeber

Nicholas Jones

Verlag

Cambridge Academic

Seitenzahl

424

Maße (L/B/H)

24.4/17/2.4 cm

Gewicht

873 g

Sprache

Englisch

ISBN

978-1-00-925453-3

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: gpsr@libri.de

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  • Produktbild: The Symphony in Britain and Ireland since 1900
  • Part I. Identities, Institutions, Influences, Reception: 1. Unmasking the symphonists: composer identity and the symphonic genre Amy E. Zigler; 2. Performance institutions and commissioning bodies Fiona M. Palmer; 3. Media institutions and networks: publishing, broadcasting and recording symphonies Emily C. Hoyler O'Hare; 4. Educating symphonists David C. H. Wright; 5. External influences: style and technique Christopher Tarrant; 6. Critical reception Imani Danielle Mosley; Part II. England, 1900-45: 7. Elgar and the symphony in Britain before World War I: contexts for the 'looked-for Genius' Matthew Riley; 8. The interwar years Jennifer Oates; Part III. Ireland, Scotland and Wales Since 1900: 9. Exploring routes to the symphonic tradition from the edge of Europe: the symphony in Ireland Mark Fitzgerald; 10. Scottish inspiration: the growth of a symphonic tradition in Scotland Richard McGregor; 11. A panorama of the symphony in Wales Rhiannon Mathias; Part IV. England Since 1945: 12. Continuation and tradition? The cultural function of the post-1945 British symphony Jonathan Clinch; 13. Reanimating the genre Annika Forkert; 14. Voices from the Hinterland Ben Earle; Part V. Composers in Focus: 15. Ralph Vaughan Williams Ryan Ross; 16. The 'inner flow of life': narratives of agency and embodiment in the symphonies of Michael Tippett Rebecca Thumpston-Gallagher; 17. Eclectic unities? Malcolm Arnold's 'symphonic thinking' Oliver Chandler; 18. Between tradition and transformation: the symphonies of Ruth Gipps Jill Halstead; 19. Peter Maxwell Davies's symphonic imagination Nicholas Jones; 20. 'Rituals of movement, exhortation, petition and joy': the symphonies of James MacMillan Phillip Cooke; Part VI. Contemporary Composer Reflections: 21. The medium is the message Rhian Samuel; 22. On symphonying Thomas Hyde; 23. Creating Epic narratives with the power of the symphony Shirley J. Thompson; 24. Symphonising now Kevin O'Connell.