• Setting the Stage


• 1: David Carnegie: Introduction


• 2: Gary Taylor: A History of The History of Cardenio


• 3: Brean Hammond: After Arden


• External Evidence: What the Documents Say


• 4: Edmund G. C. King: Cardenio and the Eighteenth-century Shakespeare Canon


• 5: Ivan Lupic: Malone's Double Falsehood


• 6: Tiffany Stern: 'Whether one did Contrive, the other Write, / Or one Fram'd the Plot, the Other did Indite': Fletcher and Theobald as Collaborative Writers


• Internal Evidence: What Style and Structure Say


• 7: MacDonald P. Jackson: Looking for Shakespeare in Double Falsehood: Stylistic Evidence


• 8: Richard Proudfoot: Can Double Falsehood Be Merely a Forgery by Lewis Theobald?


• 9: David Carnegie: Theobald's Pattern of Adaptation: The Duchess of Malfi and Richard II


• 10: Gary Taylor and John V. Nance: Four Characters in Search of a Subplot: Quixote, Sancho, and Cardenio


• Intertexts and Cross-currents


• 11: Valerie Wayne: Don Quixote and Shakespeare's Collaborative Turn to Romance


• 12: Huw Griffiths: The Friend in Cardenio, Double Falsehood, and Don Quixote


• 13: Lori Leigh: Transvestism, Transformation, and Text: Cross-dressing and Gender Roles in Double Falsehood/The History of Cardenio


• 14: Matthew Wagner: In This Good Time: Cardenio and the Temporal Character of Shakespearean Drama


• Cardenio for Performance


• 15: David Carnegie: A Select Chronology of Cardenio


• 16: Gary Taylor: The Embassy, The City, The Court, The Text: Cardenio Performed in 1613


• 17: Roger Chartier: Cardenio without Shakespeare


• 18: Àngel-Luis Pujante: Nostalgia for the Cervantes-Shakespeare link: Charles David Ley's Historia de Cardenio


• 19: Carla Della Gatta: Cultural Mobility and Transitioning Authority: Greenblatt's Cardenio Project


• 20: Bernard Richards: Re-imagining Cardenio


• 21: Richard Proudfoot: Will the Real Cardenio Please Stand Up: Review of Richards' Cardenio in Cambridge


• 22: Peter Kirwan: Theobald Restor'd: Double Falsehood at the Union Theatre, Southwark


• 23: Gregory Doran: Restoring Double Falsehood to the Perpendicular for the RSC


• 24: David Carnegie and Lori Leigh: Exploring The History of Cardenio in Performance


• 25: David Lawrence: Taylor's The History of Cardenio in Wellington


• 26: Terri Bourus: 'May I be metamorphosed': Cardenio by Stages