• Produktbild: Rethinking the High Renaissance
  • Produktbild: Rethinking the High Renaissance

Rethinking the High Renaissance The Culture of the Visual Arts in Early Sixteenth-Century Rome

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Beschreibung

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

11.11.2016

Herausgeber

Jill Burke

Verlag

Taylor & Francis

Seitenzahl

408

Maße (L/B/H)

24.4/17/2.2 cm

Gewicht

701 g

Sprache

Englisch

ISBN

978-1-138-27266-8

Beschreibung

Rezension

'The volume deserves to be commended for its graceful approach to the High Renaissance, conveying the hazards but also the value of employing such a concept. By acknowledging the High Renaissance as a construct of extraordinary enduring power, and also by linking it to sixteenth-century practice and experience, this book encourages new ways of thinking for specialists and a broad interested public alike.' Sixteenth Century Journal

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

11.11.2016

Herausgeber

Jill Burke

Verlag

Taylor & Francis

Seitenzahl

408

Maße (L/B/H)

24.4/17/2.2 cm

Gewicht

701 g

Sprache

Englisch

ISBN

978-1-138-27266-8

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: gpsr@libri.de

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  • Produktbild: Rethinking the High Renaissance
  • Produktbild: Rethinking the High Renaissance
  • Contents: Preface; Inventing the High Renaissance from Winckelmann to Wikipedia: an introductory essay, Jill Burke; Part I Vantage Points: Teaching (and thinking about) the High Renaissance, with some observations on its relationship to Classical Antiquity, Brian A. Curran; Figments and fragments: Julius II's Rome, Suzanne B. Butters; Humanists, historians and the fullness of time in Renaissance Rome, Kenneth Gouwens; Cellini's Roma, Gwendolyn Trottein; On the unity/disunity of the arts: Vasari (and others) on architecture, David Cast. Part II Making the High Renaissance: Classicism, Conflation and Culmination: Bramante and the origins of the 'High Renaissance', Christoph Luitpold Frommel; Classical mistranslations: the absence of a modular system in Calvo's De Architectura, Angeliki Pollali; Giuliano da Sangallo between Florentine Quattrocento and Roman High Renaissance, Sabine Frommel; Perugino, Raphael and the decoration of the Stanza dell'Incendio, Michael Bury; Forgery, faith and divine hierarchy after Lorenzo Valla, Meredith J. Gill; The conception and design of Michelangelo's Sistine Chapel ceiling: 'wishing to shed a little light upon the whole rather than mentioning the parts', David Hemsoll; Pope Clement VII and the decorum of medieval art, Sheryl E. Reiss; Bibliography; Index.