Love in the Post: From Plato to Derrida The Screenplay and Commentary
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- Hardcover
- Taschenbuch
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Form:Einzelkauf Download
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Sprache:Englisch
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inkl. gesetzl. MwSt.Beschreibung
Produktdetails
Format
ePUB
Kopierschutz
Ja
Family Sharing
Nein
Text-to-Speech
Ja
Erscheinungsdatum
03.10.2014
Verlag
Bloomsbury eBooks USSeitenzahl
258 (Printausgabe)
Auflage
1. Auflage
Sprache
Englisch
EAN
9781783480067
Love in the Post (2013) is inspired by Jacques Derrida's book The Post Card. Like the book, the film plays with fact and fiction, weaving together the stories of a scholar of literature and a film director, alongside insights from critics and philosophers.
Theo Marks works in a university department that is soon to be closed. His wife Sophie, enigmatic and distant, is in analysis. Filmmaker Joanna struggles to make a film about The Post Card. These people are set on a collision course prompted by a series of letters that will change their lives.
The film features a never before seen interview with Derrida, alongside contributions from Geoffrey Bennington, Ellen Burt, Catherin Malabou, J. Hillis Miller and Samuel Weber.
Alongside the original screenplay, Martin McQuillan provides an extended commentary on Derrida's original text, the film and its making. Joanna Callaghan reflects on her practice as a filmmaker and her engagement with philosophy as a director. The volume concludes with interviews between McQuillan and five leading Derrida scholars.
Theo Marks works in a university department that is soon to be closed. His wife Sophie, enigmatic and distant, is in analysis. Filmmaker Joanna struggles to make a film about The Post Card. These people are set on a collision course prompted by a series of letters that will change their lives.
The film features a never before seen interview with Derrida, alongside contributions from Geoffrey Bennington, Ellen Burt, Catherin Malabou, J. Hillis Miller and Samuel Weber.
Alongside the original screenplay, Martin McQuillan provides an extended commentary on Derrida's original text, the film and its making. Joanna Callaghan reflects on her practice as a filmmaker and her engagement with philosophy as a director. The volume concludes with interviews between McQuillan and five leading Derrida scholars.
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