You Should Have Left A Novel
Aus der Reihe
Knopf Doubleday Publishing Group
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- Hardcover
- Taschenbuch
- eBook ausgewählt
- Hörbuch
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Form:Einzelkauf Download
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Sprache:Englisch
- Deutsch Fr. 10.00
- Englisch Fr. 12.90 ausgewählt
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eBook Format:ePUB 3
- ePUB 3 Fr. 12.90 ausgewählt
- ePUB Fr. 2.95
Fr. 12.90
inkl. gesetzl. MwSt.Beschreibung
Produktdetails
Format
ePUB 3
Kopierschutz
Ja
Family Sharing
Ja
Text-to-Speech
Ja
Erscheinungsdatum
13.06.2017
Verlag
Knopf Doubleday Publishing GroupSeitenzahl
128 (Printausgabe)
Dateigröße
1497 KB
Übersetzt von
Ross Benjamin
Sprache
Englisch
EAN
9781101871980
NOW A MAJOR MOTION PICTURE • From the internationally bestselling author of The Director, an eerie and supernatural tale of a writer's emotional collapse
"Mind-bending. . . . Part horror, part science fiction." -The New York Times Book Review
"This is a story about a marriage in trouble, and about a seemingly impossible desire to protect a young child . . . but also about something else, something unavoidable and powerful but terrifyingly vague." -The Spectator
"Clever, exquisitely terrifying. . . . [Kehlmann] makes entertainment out of metaphysics." -Harper's Magazine
A screenwriter, his wife, and their four-year old daughter rent a house in the mountains of Germany, but something isn't right. As he toils on a sequel to his most successful movie, the screenwriter notices that rooms aren't where he remembers them-and finds in his notebook words that are not his own.
"Mind-bending. . . . Part horror, part science fiction." -The New York Times Book Review
"This is a story about a marriage in trouble, and about a seemingly impossible desire to protect a young child . . . but also about something else, something unavoidable and powerful but terrifyingly vague." -The Spectator
"Clever, exquisitely terrifying. . . . [Kehlmann] makes entertainment out of metaphysics." -Harper's Magazine
A screenwriter, his wife, and their four-year old daughter rent a house in the mountains of Germany, but something isn't right. As he toils on a sequel to his most successful movie, the screenwriter notices that rooms aren't where he remembers them-and finds in his notebook words that are not his own.
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