1 Introduction - Victoria Margree, Daniel Orrells and Minna Vuohelainen Part I: Richard Marsh and topical discourses of crime 2 Tall tales and true: Richard Marsh and late-Victorian journalism - Nick Freeman 3 Mrs Musgrave's stain of madness: Marsh and the female offender - Johan Höglund 4 'The most dangerous thing in England'? Detection, deviance and disability in Richard Marsh's Judith Lee stories - Minna Vuohelainen Part II: Richard Marsh, masculinity and money 5 Speculative society, risk and the crime thriller: The Datchet Diamonds - Victoria Margree 6 'The crowd would have it that I was a hero': populism, New Humour and the male clerk in Marsh's Sam Briggs adventures - Mackenzie Bartlett Part III: Richard Marsh and the imperial Gothic 7 'In that Egyptian den': situating The Beetle within the fin-de-siècle fiction of Gothic Egypt - Ailise Bulfin 8 Automata, plot machinery and the imperial Gothic in Richard Marsh's The Goddess - Neil Hultgren Part IV: Richard Marsh and object relations 9 'Something was going from me - the capacity, as it were, to be myself': 'transformational objects' and the Gothic fiction of Richard Marsh - Graeme Pedlingham 10 Decadent aesthetics and Richard Marsh's The Mystery of Philip Bennion's Death - Daniel Orrells 11 'Something on which you may exercise your ingenuity': diamonds and curious collectables in the fin-de-siècle fiction of Richard Marsh - Jessica Allsop Index