Produktbild: CrossTalk

CrossTalk Canadian and Global Imaginaries in Dialogue

Fr. 58.90

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Beschreibung

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

13.09.2018

Herausgeber

Diana Brydon + weitere

Verlag

Wilfrid Laurier University Press

Seitenzahl

330

Maße (L/B/H)

22.9/15.2/2 cm

Gewicht

499 g

Sprache

Englisch

ISBN

978-1-55458-302-7

Beschreibung

Portrait

Diana Brydon is Canada Research Chair in Globalization and Cultural Studies and Director of the Centre for Globalization and Cultural Studies at the University of Manitoba. She has published books on Christina Stead and Timothy Findley, edited Postcolonialism: Critical Concepts in Literary and Cultural Studies, and co-edited Shakespeare in Canada and Renegotiating Community: Interdisciplinary Perspectives, Global Contexts
Marta Dvořák is professor of Canadian and postcolonial literatures in English at the Sorbonne Nouvelle, former associate editor of The International Journal of Canadian Studies, and editor of Commonwealth Essays and Studies. Focusing her research on (post)modernism and cross-culturalism, she has authored and edited books ranging from Ernest Buckler: Rediscovery and Reassessment (WLU Press, 2001) to Tropes and Territories: Short Fiction, Postcolonial Readings, and Canadian Writings in Context (co-ed. W.H. New) and The Faces of Carnival in Anita Desai's In Custody.

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

13.09.2018

Herausgeber

Verlag

Wilfrid Laurier University Press

Seitenzahl

330

Maße (L/B/H)

22.9/15.2/2 cm

Gewicht

499 g

Sprache

Englisch

ISBN

978-1-55458-302-7

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: gpsr@libri.de

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  • Produktbild: CrossTalk
  • Table of Contents for
    Crosstalk: Canadian and Global Imaginaries in Dialogue, edited by Diana Brydon and Marta Dvorák

    1. Introduction: Negotiating Meaning in Changing Times | Diana Brydon and Marta Dvorák

    2. "Whirlwinds Coiled at My Heart": Voice and Vision in a Writer's Practice" | Olive Senior

    Section One: Collaboration, Crosstalk, Improvisation

    3. Voicing the Unforeseeable: Improvisation, Social Practice, Collaborative Research | Ajay Heble and Winfried Siemerling

    4. Epistemological Crosstalk: Between Melancholia and Spiritual Cosmology in David Chariandy's Soucouyant and Lee Maracle's Daughters Are Forever | Daniel Coleman

    5. Native Performance Culture, Monique Mojica, and the Chocolate Woman Workshops | Ric Knowles

    6. Collaboration and Convention in the Poetry of Pain Not Bread | Alison Calder

    Section Two: Dialogism, Polyphony, Voice

    7. Rejoinders in a Planetary Dialogue: J.M. Coetzee, Margaret Atwood, Lloyd Jones et al. in Dialogue with Absent Texts | Marta Dvorák

    8. Not Just Representation: The Sound and Concrete Poetries of the Four Horsemen | Frank Davey

    9. Portraits of the Artist in Dionne Brand's What We All Long For and Madeleine Thien's Certainty | Pilar Cuder-Domínguez

    10. Unsettling Voices: Dionne Brand's Cosmopolitan Cities | Sandra Regina Goulart Almeida

    11. Questions of Voice, Race, and the Body in Hiromi Goto's Chorus of Mushrooms and Larissa Lai's When Fox Is a Thousand | Charlotte Sturgess

    Section Three: Space, Place, and Circulation

    12. The Artialisation of Landscape in Jane Urquhart's The Whirlpool | Claire Omhovère

    13. Ghostly Voices and Arctic Blanks: From Emily Brontë's Wuthering Heights to Jane Urquhart's Changing Heaven | Catherine Lanone

    14. "You must see to understand...": Orientalist Clichés and Transformation in Robert Lepage's The Dragons' Trilogy | Christine Lorre-Johnston

    15. Diasporic Appropriations: Exporting South Asian Culture from Canada | Chelva Kanaganayakam

    16. Negotiating Belonging in Global Times: The Hérouxville Debates | Diana Brydon

    Works Cited

    Contributors

    Index