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Beschreibung
Produktdetails
Einband
Taschenbuch
Erscheinungsdatum
12.09.2018
Verlag
Puncher & WattmannSeitenzahl
80
Maße (L/B/H)
21/14.8/0.5 cm
Gewicht
117 g
Sprache
Englisch
ISBN
978-1-925780-04-8
This first full-length volume draws from poems written over roughly ten years: prose sequences, sonnets or thereabouts, parody-homages, a metro poem, psychical collaborations, and drawn from small-print chapbooks. Combining a condensed lyricism, collage, and durational procedures, the collection works its way through days and the everyday (near accidents, a working salad, the assumptions of architecture)... The sense of fleeting glimpse, of provisionality, of actual sense-data taken in but not yet possessed, is terrific. Is it 'lyric'? Well, yes—but with a stylistic affiliation to Projective and subsequent aesthetics. And no—in the sense that Wright does not seek that laurel or that identification. The feeling given is of a spacey self-awareness. So many lines in these poems seem acts of orientation, verification of the subject's placement, vis-a-vis sounds, views, examinations—of the sky, of overhead wires, a bird, sounds of a nearby train or traffic, changes in the weather. A space both actual and mental. Ken Bolton, Southerly Tim Wright is the author of The night's live changes (2014) and Weekend's end (2013).
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