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Produktbild: Musical Spaces

Musical Spaces Place, Performance, and Power

Fr. 133.00

inkl. gesetzl. MwSt., Versandkostenfrei

Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

30.11.2021

Abbildungen

farbige, schwarzweisse Abbildungen

Herausgeber

James Williams + weitere

Verlag

Taylor and Francis

Seitenzahl

490

Maße (L/B/H)

23.5/15.7/3.1 cm

Gewicht

640 g

Sprache

Englisch

ISBN

978-981-4877-85-5

Beschreibung

Portrait

James Williams is an ethnomusicologist and senior lecturer at the University of Derby, UK. His PhD, from the University of Wolverhampton, UK (2016), focused on the collaborative and creative interactions between professional musicians, while his current research concerns behavioural, socio-cultural, and creative processes in wellbeing and education.

Samuel Horlor is a postdoctoral fellow at the Center for Ethnomusicology, Yunnan University, China. He specialises in research on street performance, Chinese pop, and music in urban life. Samuel is the author of Chinese Street Music: Complicating Musical Community (Cambridge University Press, 2021) and articles in journals including Ethnomusicology Forum and Asian Music.

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

30.11.2021

Abbildungen

farbige, schwarzweisse Abbildungen

Herausgeber

Verlag

Taylor and Francis

Seitenzahl

490

Maße (L/B/H)

23.5/15.7/3.1 cm

Gewicht

640 g

Sprache

Englisch

ISBN

978-981-4877-85-5

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: gpsr@libri.de

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  • Produktbild: Musical Spaces
  • Part I (Trans)local Musical Spaces 1. Musical Spaces and Deep Regionalism in Minas Gerais, Brazil Jonathon Grasse 2. ‘Trapped in Oklahoma’: Bible Belt Affect and DIY Punk Alican Koc 3. Musical Pathways through Algerian-London Stephen Wilford 4. Dancing to the Hotline Bling in the Old Bazaars of Tehran Shabnam Goli Regionality in Learning and Heritage 5. Performing Local Music: Engaging with Regional Musical Identities through Higher Education and Research Daithí Kearney 6. Preserving Cultural Identity: Learning Music and Performing Heritage in a Tibetan Refugee School James Williams 7. Claiming Back the Arctic: Evaluating the Effectiveness of Music as a Voice for the Indigenous Subaltern Kiara Wickremasinghe Music and Spatial Imaginaries 8. ‘He Is a Piece of Granite…’: Landscape and National Identity in Early Twentieth-Century Sweden Anne Macgregor 9. War, Folklore, and Circumstance: Dimitri Shostakovich’s Greek Songs in Transnational Historical Context Artemis Ignatidou 10. ‘O Monstrous! O Strange!’: Culture, Nature, and the Places of Music in the Mexican Sotavento Diego Astorga de Ita 11. Journeys to Plastic Beach: Navigations across the Virtual Ocean to Gorillaz’ Fictional Island Alex Jeffery Part II Music-Making Environments 12. Person-Environment Relationships: Influences beyond Acoustics in Musical Performance James Edward Armstrong 13. The Social and Spatial Basis of Musical Joy: Folk Orc as Special Refuge and Everyday Ritual Thomas Graves 14. Echoes of Mongolia’s Sensory Landscape in Shurankhai’s ‘Harmonized’ Urtyn Duu Sunmin Yoon Designing Creative Spaces 15. Staging Ariodante: Cultural Cartographies and Dialogical Performance Benjamin Davis 16. Musicians in Place and Space: The Impact of a Spatialized Model of Improvised Music Performance David Leahy 17. Space, Engagement, and Immersion: From La Monte Young and Terry Riley to Contemporary Practice Joanne Mills Musical Spaces and Power 18. Micronational Spaces: Rethinking Politics in Contemporary Music Festivals Jelena Gligorijević 19. Construction of Protest Space through Chanting in the Egyptian Revolution (2011): Musical Dimensions of a Political Subject Oscar Galeev 20. Bethlem, Music, and Sound as Biopower in Seventeenth-Century London Joseph Nelson Epilogue: Towards More Geographic Musicologies James Williams