The Reception of Ancient Philosophers in Early Modern France The Mask of Philosophy
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Sprache:Englisch
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eBook Format:ePUB 3
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Fr. 105.90
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Produktdetails
Format
ePUB 3
Kopierschutz
Ja
Family Sharing
Nein
Text-to-Speech
Ja
Erscheinungsdatum
12.07.2026
Verlag
Bloomsbury eBooks UKSeitenzahl
232 (Printausgabe)
Dateigröße
2432 KB
Sprache
Englisch
EAN
9781350630956
Offering a ground-breaking examination of how major French thinkers of the sixteenth-eighteenth centuries addressed the profound intellectual and spiritual crises of their age, this book moves beyond traditional intellectual history to argue that early modern French literature did not merely transmit ancient ideas but actively engaged in a critical dialogue with them.
At its core, the book consists of focused case studies on the appropriation of ancient philosophical schools as a way of life, including Socratic, Platonic, Stoic, Epicurean, Cynic, and Skeptic traditions, in Early Modern French literature. Jiani Fan argues that these French authors used parody, irony, and literary innovation as tools to dismantle classical systems and, in many cases, to clear a path for new Christian, skeptical, or scientific worldviews.
We are guided through Michel de Montaigne's evolution from an Epicurean interest in Lucretian clinamen as a model for free will toward a fideist skepticism that rejects philosophical inquiry in favor of divine revelation. Fan then analyzes how the moralists La Rochefoucauld and Pascal deconstructed the classical ideal of douceur (sweetness), exposing it not as a marker of Ciceronian humanitas but as a subtle instrument of the Augustinian libido dominandi, a tyrannical flattery that enslaves through pleasure rather than reason. Another central chapter investigates Pascal's ingenious portrayal of Plato and Aristotle as honnêtes hommes, courtly figures who employ Socratic irony and Pyrrhonian doubt not in a pure search for truth but as a political strategy to manage the vanity of princes.
At its conclusion, this book explores the Enlightenment's culmination of this critical tradition in Diderot's Rameau's Nephew, where the ancient Cynic practice of parrhêsia (frank speech) degenerates into a modern, cynical performance, an "enlightened false consciousness" that reflects the disillusionment of a failed ideal.
At its core, the book consists of focused case studies on the appropriation of ancient philosophical schools as a way of life, including Socratic, Platonic, Stoic, Epicurean, Cynic, and Skeptic traditions, in Early Modern French literature. Jiani Fan argues that these French authors used parody, irony, and literary innovation as tools to dismantle classical systems and, in many cases, to clear a path for new Christian, skeptical, or scientific worldviews.
We are guided through Michel de Montaigne's evolution from an Epicurean interest in Lucretian clinamen as a model for free will toward a fideist skepticism that rejects philosophical inquiry in favor of divine revelation. Fan then analyzes how the moralists La Rochefoucauld and Pascal deconstructed the classical ideal of douceur (sweetness), exposing it not as a marker of Ciceronian humanitas but as a subtle instrument of the Augustinian libido dominandi, a tyrannical flattery that enslaves through pleasure rather than reason. Another central chapter investigates Pascal's ingenious portrayal of Plato and Aristotle as honnêtes hommes, courtly figures who employ Socratic irony and Pyrrhonian doubt not in a pure search for truth but as a political strategy to manage the vanity of princes.
At its conclusion, this book explores the Enlightenment's culmination of this critical tradition in Diderot's Rameau's Nephew, where the ancient Cynic practice of parrhêsia (frank speech) degenerates into a modern, cynical performance, an "enlightened false consciousness" that reflects the disillusionment of a failed ideal.
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