Just Beneath the Soil World War II Through the Eyes of Its Last Witnesses
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Sprache:Englisch
Fr. 44.90
inkl. gesetzl. MwSt.,
Beschreibung
Produktdetails
Einband
Gebundene Ausgabe
Erscheinungsdatum
11.05.2027
Verlag
Random House N.Y.Seitenzahl
320
Maße (L/B/H)
23.5/15.6/2.1 cm
Gewicht
522 g
Sprache
Englisch
ISBN
978-0-593-73144-4
The author of the #1 New York Times bestseller How the Word Is Passed takes us on an astonishingly original—and heartbreakingly intimate—journey to meet some of World War II's witnesses before they're gone.
“This is a riveting, serious tour de force.” —Ken Burns
Clint Smith’s great-uncle Lawrence landed on a beach at Normandy in early June of 1945. Lawrence grew up in Jim Crow Mississippi, and Smith had always wondered what his uncle felt, fighting fascism and racial hatred on behalf of a country that was subjecting him and his family to racial apartheid. His uncle’s experience didn’t jibe with the story of World War II as the “good war” Smith learned at school.
In this enthralling, lyrical account, Smith follows his curiosity across four continents to uncover other stories obscured by the War’s mythology. He begins on the Navajo reservation, where he meets the last surviving Code Talkers, and heads to the former incarceration camps in California where Japanese Americans were imprisoned during the war. When he travels abroad, he finds echoes of the racial hatred that distorts American life and the silencing that perpetuates it. In Nagasaki, where Americans dropped their second atomic bomb, Smith bears witness to survivors' stories and finds that the bomb may not have been the necessary evil he'd been told it was. The heartbreaking stories he hears from the so-called “Comfort Women,” survivors of sex slavery by the Japanese military, are met with complete denial in Japan. In Germany, he finds multiple memorials atoning for the sins of the Holocaust, but their contrition has a dark side. And in Argentina, where many of the Holocaust’s perpetrators fled, few talked about the war at all.
Every place he goes, Smith’s unusual gift for eliciting astonishing, personal stories brings this global conflict down to the unit of the individual. Each of these portraits acts as a powerful reminder that once we accept that other people are as real as we are, their suffering becomes unacceptable.
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