Twelve Streetlights A Structural History of Ancient Egypt in Twelve Poems
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Beschreibung
Produktdetails
Einband
Taschenbuch
Erscheinungsdatum
07.09.2026
Verlag
Pressure System PressSeitenzahl
32
Maße (L/B/H)
21.6/14/0.2 cm
Gewicht
55 g
Sprache
Englisch
ISBN
978-1-972788-50-9
Twelve Streetlights: A Structural History of Ancient Egypt in Twelve Poems is a sequence of twelve poems by J. A. Gucci examining a deceptively simple question: What must continually change for something to appear permanent? Ancient Egypt is often defined by its extraordinary continuity. Yet that continuity depended upon systems in constant operation. The Nile varied. Water had to be contained and distributed. Grain had to be stored and redistributed. Labor had to be organized. Records had to preserve changing material conditions. Kingship continually asserted order against instability. Temples required recurring provision. The dead required maintenance. Monuments endured while their materials changed. Resources traveled across great distances. Political rupture demanded restoration, and Egyptian culture persisted through periods of foreign rule and transformation. Across twelve compact poems, Gucci places these historical systems in Structural Correspondence with observable physical systems associated with streetlighting. The streetlights do not symbolize ancient Egypt. Ancient Egypt is not reduced to machinery. Instead, each poem is organized through a Paradox Triad-three related conditions whose interaction generates structural tension. Variation, prediction, and dependence. Surplus, preservation, and obligation. Death, maintenance, and presence. Rupture, legitimacy, and continuity. Persistence, adaptation, and transformation. Composed using Gucci's method of Absolute Composition, the poems treat language as structure. Objects retain their physical integrity while punctuation, lineation, white space, sequence, compression, threshold, recurrence, and transformation participate in the composition. What is omitted can be as structurally consequential as what appears on the page, while every reconstruction remains constrained by physically possible behavior. Moving from regulation through maintenance toward duration, Twelve Streetlights presents Egyptian continuity not as freedom from change, but as something continually produced through it. Nothing remains unchanged. Some things remain.
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