Produktbild: The Part and the Whole in Early American Literature, Print Culture, and Art

The Part and the Whole in Early American Literature, Print Culture, and Art

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Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

12.04.2024

Herausgeber

Matthew Pethers + weitere

Verlag

Bucknell University Press

Seitenzahl

292

Maße (L/B/H)

23.5/15.6/2.5 cm

Gewicht

467 g

Sprache

Englisch

ISBN

978-1-68448-508-6

Beschreibung

Rezension

"Professional, well edited, and innovative. . . . The collection creates necessary space for the careful examination of passed-over or ignored, but important, literary and visual art. Recommended." (CHOICE) "Brilliantly shows that respecting the plural, disjunctive, and fragmentary character of much early American writing makes marginalized genres interesting, and permits us to read women, minority writers, and history itself in exciting new ways. Highly recommended!" - Eve Tavor Bannet (author of Eighteenth-Century Manners of Reading: Print Culture and Popular Instruction in the Anglop) "This book bristles with new claims, local insights, and a bona fide enthusiasm of renovation. Its conceptual interventions and its roving, voracious engagement with all kinds of cultural objects will make it a touchstone in the field. I imagine colleagues buying the book, using it in their writing and teaching, and repeatedly skipping and skimming their way through the essays with pleasure." - Matthew Garrett (author of Episodic Poetics: Politics and Literary Form after the Constitution) "This excellent collection offers a compelling new view of literary textuality in early America. . . . The pieces are well written and reader-friendly. I found myself carried along, learning a great deal about texts and authors that I have long studied and others that I have hardly known. Strong from beginning to end." - Abram Van Engen (coeditor of A History of American Puritan Literature)

Portrait

MATTHEW PETHERS is an associate professor of American intellectual and cultural history at the University of Nottingham in the UK. He is the editor of The Edinburgh Companion to Nineteenth-Century American Letters and Letter-Writing and is currently coediting volume two of The Collected Writings of Charles Brockden Brown (Bucknell University Press).

DANIEL DIEZ COUCH is an associate professor of English at the United States Air Force Academy in Colorado, where he teaches eighteenth- and nineteenth-century American literature. He is the author of American Fragments: The Political Aesthetic of Unfinished Forms in the Early Republic.

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

12.04.2024

Herausgeber

Verlag

Bucknell University Press

Seitenzahl

292

Maße (L/B/H)

23.5/15.6/2.5 cm

Gewicht

467 g

Sprache

Englisch

ISBN

978-1-68448-508-6

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: gpsr@libri.de

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  • Produktbild: The Part and the Whole in Early American Literature, Print Culture, and Art
  • Introduction: Parting with Wholes in Early American Literature, Print Culture, and Art
    Matthew Pethers and Daniel Diez Couch
    Part I – Partial Histories
    Chapter 1: Reading for Unreadability; or, Embracing the Gaps in Congregational Church Records
    Lori Rogers-Stokes
    Chapter 2: Textural Scholarship: Susan Howe’s Mary Rowlandson
    Marion Rust
    Chapter 3: ‘Composing my resentments’: Process and Palimpsest in Sarah Kemble Knight’s The Journal of Madam Knight
    Nicholas K. Mohlmann
    Chapter 4: Fragments, Scraps, and the Formalism of the Historical Imagination
    Daniel Diez Couch
    Part II – Fragmentary Communities
    Chapter 5: Reading Early American Almanacs: Imagining Unity in Parts and Pieces
    Keri Holt
    Chapter 6: Lists and List-Makers of the African Atlantic Archive
    John Saillant
    Chapter 7: Failed Periodicals, Forgotten Satires, and Alternative Forms of Dissent in Antebellum America
    D. Berton Emerson
    Part III – Visible Assemblages
    Chapter 8: The Early National Picturesque
    Laurel Hankins
    Chapter 9: Visualizing the Incompleteness of ‘Mound-Builder’ Ruins
    Lisa West
    Chapter 10: Edward Taylor and the Art of Assemblage
    Amy Morris
    Notes on Contributors
    Index